An analysis of the movie the exorcist

Klein Barton Heymen was not in the original theatrical version.

Analysis of ‘The Exorcist’

To make us reject the possibility that God could love us. It is set today in a real room in a real house on a real street in Georgetown, Washington DC, where a twelve -year-old child has been possessed by a demon, and the two men who have come to do battle with the demon have only these objects as weapons: For Merrin, this is facing death after a life with relatively little to show for it except for devotion to the church; for his partner Karras, the challenge is how to regain faith in the church and his own abilities.

The doctors are unable to discover anything, despite putting Regan through some grueling, painful procedures. She first speaks in her native tongue Tell me, what is the matter? It takes quite a while for the demon actually to enter the body of Regan, her twelve-year-old daughter.

A young boy in a red head-dress runs through the weaving, maze-like trenches to summon one of the supervisors.

The consultation between Chris and Dr. Karras curses a number of times himself elsewhere in the story. When she quickly gives Father Dyer a hug and kiss, we wonder, for a second, will she attack him?

Principal photography for The Exorcist began on August 21, Warners had approached Arthur PennStanley Kubrickand Mike Nicholsto direct, all of whom turned the project down.

One of her guests is another Jesuit named Father Dyer Rev. Noted for a scary hyena attack, swarms of flies, a maggoty stillborn, and a blaspheming Lucifer. Iron workers clang their hammers on anvils near a red-hot burning furnace. Regan, symbolically, is moved from a child to a sexual, violent creature; Karras is reduced to a violent, impulsive man; and Merrin dies while trying to prove that he will not be killed by evil.

Other priests, doctors, lawyers - I talk to them all. It was written by a devout Catholic who hoped it would make people think positively about the existence of God.

The Exorcist Analysis

It establishes a new low for grotesque special effects More than just being an object of change or symbol of transformation, the possessed Regan becomes a mirror against which the rest of the characters must stand in front of and be judged for their fears and shortcomings.

Karras, a former boxer, is now on the same psychological level as the demon, accepting without question what he sees before him, rather than trying to explain it away, or using established form to expel it away from him.The Exorcist - An Analysis - Free download as PDF File .pdf), Text File .txt) or read online for free.

Scribd is the world's largest social 1/5(1). Exorcist was just a novel written by William Peter Blatty before William Fredkin directed and made it one of the horror movie classics in the cinema industry.

Many readers of the book were already scared and impressed by the story they read. Dec 26,  · If movies are, among other things, opportunities for escapism, then “The Exorcist” is one of the most powerful ever made.

Our objections, our questions, occur in an intellectual context after the movie has ended.4/4. Oct 23,  · Spirituality has never had a more unlikely ally than William Friedkin’s enduring shocker The Exorcist.

No matter the belief system of the viewer, the film’s haunting and ingeniously crafted verisimilitude suspends all doubts, leaving even the most devout skeptic shaken by the concept of possession and open to the possibility of faith.4/4.

Oct 26,  · Transubstantiation: Analysis of The Exorcist Posted on October 26, by theoldsquid Karras’ frailty, against the imposing symbol of an immortal spirit, parallels the true weakness of his faith when confronted.

34 Things We Learned from ‘The Exorcist’ Commentary

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An analysis of the movie the exorcist
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